Bubbling kettle, watch –
your clean steam stirs no colour
into flat milk skies.
My parents have a very large house, but when you’re only home for 3 and a half days, there’s always something to distract you. Having lived in cities for 4 and a half years, I’d forgotten how hard it is to find peace and quiet in this house. There’s always something to do, or something I’m supposed to have done. Writing this, for example, is a nice way to put off going through my room and sorting out all the bags and boxes and drawers of things I hoarded over the years.
I know haikus are supposed to carry some hint of a season, but the weather today is so seasonless, I instead chose to write a haiku that seemed to have a lack of season. I’ve read a few haikus that gave personalities to inanimate objects (which I guess is the animism part of Shinto that I’ve always liked), so I thought I’d risk talking to a kettle. And finally, I decided that I would avoid the word “tea”.
Way back here, I argued that the haiku is an unnecessarily complex form to write in, in English… which I decided after I realised how easy they are to write in Japanese. I still haven’t decided on whether an English haiku should be 4,6,4, or 6,8,6… probably the former for mine, as I have a tendency to lay the adjectives on a bit thick anyway. I still respect the Japanese haiku as a work of creative ingenuity, and it gets my mind working, but I find it frustrating when I’m trying to ADD words to make the poem work. Poetry should be about conciseness, surely? About finding the one right word to make it work. In this case, this could be a two word poem, and I’d still be happy:
Remind me one day to tell you my new theory about the pleasures of poetry taken from a neurolinguistic perspective. I can’t tell you now, I’ve left my notes in Barcelona. This Masters malarkey has just been endlessly busy for the last 3 months. I deliberately chose to do this Masters in a year and a half, to give myself more time and less stress. The
reality, however, has been that up until about the first week of March, I’ve had just as much work to do as everyone doing the Masters in a year… except those people are JUST doing the Masters, and I’m teaching 14 hours a week (not including planning / travelling time), and performing stand up comedy, and running Improvised Comedy workshops, and performing improvised comedy once a month…
… but you’ll be pleased to know that from now on, I will only have about two lectures a week to attend. And I only have about 3 projects left to hand in. We’ve finally reached the time of year when all the 1-year Masters students are working on their theses, and I’m sitting back and trying to decide what to write mine about. As a result, I will finally have more time to read books for fun! And write…. as long as there aren’t more distractions!
I hope to see you on here again very soon.